The Classic Review was launched in 2018 for classical music lovers around the globe. Both Nelsons and Storgårds add almost 4 minutes to Petrenko’s overly quick reading (13’46”), using the extra time to create a more foreboding atmosphere. The next build-up begins at 11’59” as the snare drum suggests gunfire while the strings begin one of those unrelenting marches that so often feature in Shostakovich’s symphonic writing. The percussion invokes recollections of the opening movement, augmented in color by the English horn. 11 by Oleg Caetani & Orchestra Sinfonica di Milano Giuseppe Verdi on Apple Music. He wanted it to reflect, if not copy, “the Russian revolutionary songs” of the era, the time of the first popular uprising against tsarist tyranny. Shostakovich: Symphony No. Here Petrenko’s faster tempo (13’44”) intensifies the inhumanity of it all, but the scene is still powerfully affecting in Storgårds’ reading. 103 ("The Year 1905"). Yet Storgårds’ sure control of the line makes it work. We might wonder if shades of Liszt’s Mazeppa infiltrate the action. Please Subscribe to our New channel @PAINTED. Home » Classical CD Reviews » SHOSTAKOVICH: Symphony No. This symphony required a large orchestra (ex. His opening movement features intensely beautiful string playing, dynamics at pianissimo for most of its duration. It covers classical music reviews, as well as in-depth guides and classical music news. 5.0 out of 5 stars Shostakovich 11 In D.C. 11 in G minor, Op. The music then winds down to a more static, icier passage, the exchanges between snare drum and plucked strings mechanic and emotionless. Storgårds’ tempos fall somewhere in the middle (66’43”), yet the music never feels slow, and the musical argument rarely falters. 103 'The year 1905' WDR Sinfonieorchester Koln, Semyon Bychkov The performance from the WDR Symphony Orchestra is compelling at both ends of the dynamic spectrum, from the heart-rending funereal tread of the opening paragraph of 'In Memoriam' to the savage... — BBC Music Magazine, July 2006, More… Shostakovich’s eleventh symphony has long divided musicologists, who debate its worth. But has the catastrophe truly passed, or does the future bode another evil? Shostakovich: Symphony No. His wife died in 1954, leaving him a single parent of two teenagers. (adsbygoogle = window.adsbygoogle || []).push({}); Shostakovich – Symphony No. What perhaps lifts this new performance above Nelsons/DG is the recorded sound. 11 – London Philharmonic Orchestra/ Vladimir Jurowski – London Philharmonic, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window). That the premier in 1957 coincided with Russian suppression of Hungarian patriots in October and November 1956, intensified the composer’s implied message that Soviet brutality and atrocity – Soviet troops took 2000 Hungarian lives – could engender a similar resistance to oppression. 11 In G Minor, Op. 11 . Shostakovich: Symphony No. Shostakovich Symphony No. Shostakovich's Symphony No. At last, the people proceed to march, The Tocsin movement, with the brass having incited an alarm. The grim, plucked notes return as the music subsides into the original lachrymosa. We can hear the Eleventh Symphony simply as a straightforward homage to the heroes and martyrs of the 1905 Revolution, as Shostakovich suggested. Mark’s notes on Shostakovich Symphony No. All rights reserved. It is a close knot thing in the final movement – all three performances offer compelling readings, though Nelsons’ deliberate opening tempo is unconvincing. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means. Listen to Shostakovich: Symphony No. 11, 'The Year 1905' (Proms 2013) 11 Dmitri Shostakovich (Composer), Leopold Stokowski (Conductor), Houston Symphony Orchestra (Orchestra) Shostakovich: Symphony No. 11 (“The Year 1905”)BBC PhilharmonicJohn Storgårds – ConductorChandos Records, Hybrid SACD CHSA 5278, Read more classical music reviews or visit The Classic Review Amazon store. Is it movie music without a movie? Deutsche Gramophone successfully creates a wide soundstage without a corresponding sense of width (front to back perspective). It covers new album reviews by knowledgeable and independent writers, as well as in-depth guides and news. Aided by resplendent, indeed, cinematic Chandos sound, the January 22, 1905 events at the winter palace (known as Bloody Sunday) are vividly brought to life. The orchestral playing is vividly intense, the trombone glissandos (13’55”) snarling out the rage of the protestors, leading into a shattering climax as the soldiers slaughter them. 11 The Year 1905. 5 – Oslo Philharmonic, Petrenko, Editor’s Choice: The Best New Classical Music Albums, January 2021, Review: Shostakovich – String Quartets No. The various choir entries make me recall the gathering of the angry Paris poor – led by an aroused Thomas Mitchell – as they converge on the cathedral in the 1935 The Hunchback of Notre Dame. Shostakovich: Symphony No. At first, a sense of peace and possible reconciliation with the powers of government sings out fervently, only to be engulfed by dissonant, destructive forces in the side-drum, diviso strings in canon, blaring brass, tympani and cymbals, and whirling woodwinds, a phantasma of murder and madness. On that fateful day, the Tsar’s palace guards gunned down 200 unarmed demonstrators – a procession of workers led by Orthodox priest George Gapon to deliver a petition to the Tsar – outside of St. Petersburg’s Winter Palace. 12, subtitled “The Year 1917.” The 1961 work is often considered the composer’s weakest symphony, its poor reputation stemming partly from its submission to the demands of Soviet propaganda. 11 (The Year 1905) Vladimir Jurowski conductor London Philharmonic Orchestra Pieter Schoeman leader. A solid performance to add to some illustrious readings, by Mravinsky, Stokowski, and recently, Petrenko. Shostakovich: Symphony no 11 / Stokowski, Houston SO Release Date: 03/15/1994 Label: Warner Classics Catalog #: 65206 Spars Code: ADD Composer: Dmitri Shostakovich Conductor: Leopold Stokowski Orchestra/Ensemble: Houston Symphony Orchestra Number of Discs: 1 Recorded in: Stereo Length: 1 Hours 3 Mins. In comparison, Rostropovich’s last recording with the London Symphony Orchestra, widely acclaimed at the time of its release, seems episodic and disjointed at 72’24”, while the recorded sound (recorded live at London’s Barbican) is disappointing. These questions have, to some extent, been answered in the last 12 years by two recordings that mined a heretofore undiscovered profundity from the score: The Royal Liverpool Philharmonic led by Vasily Petrenko on Naxos, and the Boston Symphony Orchestra led by Andris Nelsons, part of their ongoing cycle for DG. We who know our Eisenstein recall his vivid recreation of the Odessa Steps. Former Music Director Leopold Stokowski conducts the Houston Symphony in the first-ever commercial recording of Shostakovich’s Symphony No. 1 – Dausgaard, Review: Weinberg – Symphony No. Copyright ©2018 Audiophile Audition. 11, In The Year 1905. By David … 103: II. Shostakovich’s eleventh symphony has long divided musicologists, who debate its worth. Where is the emotional depth we hear in the Fifth, Eighth and Tenth Symphonies? Some listeners might sense a drop in intensity after the climax, but the characterful playing of the BBC winds propel the music towards its next climax at 7’25” (the trombones particularly prominent). 1 – Moog, Deutsche Radio Philharmonie, Milton, Review: Britten – Saint Nicolas, A Ceremony of Carols – BBC Concert Orchestra, Crouch End Festival Chorus, Temple, Read of the latest news in classical music, Looking for the best version of a classical music piece? In the symphony these historical aspects come to light through the movement titles ('The Palace Square' etc) and in Shostakovich's use of several revolutionary songs throughout it. The Chicago Symphony Orchestra’s first subscription concert performances of Shostakovich’s Eleventh Symphony were given at Orchestra Hall on January 19 and 20, 1961, with André Cluytens conducting. By movement’s end, the woodwinds seem to be bleating like sheep, while the tympany beats out a militant tattoo of inevitability. 2, 7 & 8 – Pavel Haas Quartet, Review: Bartók – Concerto for Orchestra, Suite No. Jurowski builds this grueling movement slowly to a fierce climax in tympani, anguished strings, and brass, rife with a vengeful aspect that must have burned in the hearts of a wounded populace. He wanted it to reflect, if not copy, “the Russian revolutionary songs” of the era, the time of the first popular uprising against tsarist tyranny. Your email address will not be published. Symphony No. The live performance from Southbank Centre’s Royal Festival Hall, London (11 December 2019) captures in Palace Square: Adagio the ominous, the lingering dread of the calm prior to the storm, haunted strings and distant, muted brass fanfares, flute and side-drum, intrusive tympanic beats under a pastoral song. All Rights Reserved. Both performances feature exceptional playing and flowing tempos (Petrenko 57’37” and Nelsons 62’39”) that give the work a coherent symphonic structure. Each painting in the series is based on a particular symphony or quartet by the Russian composer Dmitri Shostakovich, whom Williams regarded as "the greatest composer of [his] time". The Chandos soundstage has both, and that adds a glow and warmth to the orchestra that is lacking in the DG recording. This is a marvelous recording of Shostakovich's 11th symphony. Is it propaganda? Stream songs including "Symphony No. 103: I. Adagio (The Palace Square)", "Symphony No. Allegro (The 9th of January)" and more. 11 – London Philharmonic Orchestra/ Vladimir Jurowski – London Philharmonic, by Audiophile Audition | Nov 28, 2020 | Classical CD Reviews | 0 comments. I own three other others, including two featuring Shostakovich's friend Rostropovich. By contrast, his Eleventh, which followed four years later frequently gets a bad press, because it is perceived to be too programmatic, repetitive and populist. 11 “The Year 1905” ... Shostakovich was named "People's Artist of the USSR" in 1954 and was awarded the Order of Lenin, the USSR's highest decoration, on his 50th birthday in 1956. 11 In G Minor, Op. Conlon, music director of the Los Angeles Opera, was about to lead the New World Symphony in Shostakovich’s Symphony No. Shostakovich's Symphony No. Revolution On the morning of Sunday 9th January 1905, thousands of Russians gathered in front of the Winter Palace in St Petersburg. The Classic Review was launched in 2018 for classical music lovers around the globe. The liner notes all suggest a theme of defiance in the final movement, and the headlong rush of the Petrenko and Nelsons performances make that defiance seem almost machinelike and bloodless. Both Petrenko and Nelsons play the second movement in less than 19 minutes, whereas Storgårds takes a little over 21 minutes. SHOSTAKOVICH: Symphony No. Shostakovich (1969–1981) is a series of thirty oil paintings by Aubrey Williams. Notify me of follow-up comments by email. For his third movement, Eternal Memory: Adagio, Shostakovich intones the song of the period, “You fell as victims,” a direct elegy or requiem first enunciated in the muted violas. The high flute adds a sense of mania to the convulsive drama, which has quite assumed the character of a film score. Read our Best Of guides for classical music. The pertinent questions with Shostakovich's Eleventh, however, are not "how impressive is the performance" and "how imposing is the recording," but "how honest is the performance" and "how real is the recording?" 2 & 21 – Mirga Gražinytė-Tyla, Review: Vikingur Ólafsson Plays Rameau and Debussy, Review: Monteverdi – il terzo libro de’ madrigali – Alessandrini, Review: “Dear Mademoiselle” – Astrig Siranossian, Cello, Review: Saint-Saëns – Chamber Works – Chamayou, Capuçon, Moreau, Review: “Penderecki’s Sinfonietta(s)” – Sinfonietta Cracovia, Jurek Dybał, Review: Brahms – Piano Concerto No. Shostakovich's Symphony No 11 is a remarkable piece with a powerful statement and it's brilliantly orchestrated by the BBC Philharmonic. Is it of a piece with the cinematic potboilers Shostakovich wrote to get himself back into the good graces of the Soviet government after his denunciation by Stalin's cultural henchmen? Was Shostakovich finally giving in to the authorities? 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